• Skip to content
  • Skip to secondary menu
  • Skip to primary sidebar
  • Skip to secondary sidebar
  • Home
  • About Us
    • Our Mission
    • Staff
    • Contact Us
  • Contribute

SPIRE MAGAZINE

Earnest Perspectives on Changing Landscapes

  • View spiremag’s profile on Facebook
  • View spiremag’s profile on Twitter
  • LinkedIn
  • International
  • Politics
  • Economics
  • Local
    • FSU Politics and Social Change
  • Science
  • Entertainment
    • Book Reviews
    • Music
      • Bops and Flops
  • Perspectives
  • Interviews
  • Series
    • Collegiate Lenses
    • The F Word : Feminist Perspectives
    • Words You Don’t Know
    • Bops and Flops
You are here: Home / Collegiate Lenses / Collegiate Lenses: A North by Northwest Drinking Game
Collegiate Lenses: A North by Northwest Drinking Game

Collegiate Lenses: A North by Northwest Drinking Game

June 8, 2018 by Emily Pacenti and Alanna Felton Leave a Comment

Since we’ve already done Vertigo in our Collegiate Lenses series, it should’ve been assumed that a North by Northwest drinking game was on the way. Dubbed one of the best spy films, North by Northwest put forth much of the fast-paced themes found in modern espionage thrillers.

Unlike his other films, Hitchcock built the framework of the film without much symbolism or imagery. In addition, there was little focus on using new shots or framing, unlike films like Vertigo. At its core, North by Northwest focuses on moving the plot through interesting set pieces, following the almost meaningless “MacGruffin” that the characters chase. Although these set-pieces have little symbolism, they’re interesting and imaginative, from the United Nations to rural Indiana, to Mount Rushmore.

Although there’s a lack of continuous symbolism, there are a few themes and directing techniques you should be on the lookout for. The first is the large amounts of American imagery, and without spoiling too much, many of the locations from the cornfields of Indiana to a fake house designed to evoke the architecture of Frank Lloyd Wright make the movie feel American entirely, while Hitchcock himself was English. In addition, there’s a few other stand-out film techniques, such as how Roger Thornhill is almost always on the left side of the screen or the egregious ending symbolism of the train tunnel. The core of the film revolves around the simplistic but mystifying plot of a man mistaken for another, woven into the most recognizable spy film ever created.

North by Northwest Drinking Game Rules

Take a drink…

  • Whenever a character gets inside of a vehicle
  • If and when alcohol is mentioned
  • When Mr. Thornhill insults someone
  • Finish your drink when Mr. Thornhill is forced to finish his

Take this list as a suggestion, and drink responsibly. As always, enjoy the show.

Check out the rest of Spire Magazine’s Collegiate Lenses series.

Share this:

  • Facebook
  • Twitter
  • LinkedIn
  • Reddit
  • Tumblr
  • Print

Filed Under: Collegiate Lenses Tagged With: Film

Reader Interactions

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Featured Posts

A Survivor’s Heart and Mind

A Survivor’s Heart and Mind

Beware of The Red Zone: How Returning to Campus Makes Students More Vulnerable

Beware of The Red Zone: How Returning to Campus Makes Students More Vulnerable

Netflix’s Shadow and Bone: Binge-able Fantasy TV At Its Finest

Netflix’s Shadow and Bone: Binge-able Fantasy TV At Its Finest

Connect With Us

Connect With Us

Official Spotify (Click Image)

Categories

  • Book Reviews
  • Bops and Flops
  • Collegiate Lenses
  • Economics
  • Entertainment
  • Featured
  • FSU Politics and Social Change
  • International
  • Interviews
  • Local
  • Music
  • Music Reviews
  • Perspectives
  • Politics
  • Science
  • The F Word : Feminist Perspectives
  • TV Reviews
  • Uncategorized
  • Words You Don't Know

Follow Us On Twitter

My Tweets

Popular Tags

Africa Bops and Flops China Cold War Colonialism Colonization Diversity Egypt entertainment Fashion feminism Film Finance Florida Florida State University Football FSU Gender Gun Violence History Horror Human Rights Interview Latin America LGTBQ Literature local Middle East Music music review opinion perspectives politics Racism Science sga Space Sports Syria Syrian Civil War Tallahassee Television The F Word Video Games Women

Secondary Sidebar

Archives

  • April 2022
  • October 2021
  • August 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • November 2019
  • October 2019
  • September 2019
  • July 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017

Categories

  • Book Reviews
  • Bops and Flops
  • Collegiate Lenses
  • Economics
  • Entertainment
  • Featured
  • FSU Politics and Social Change
  • International
  • Interviews
  • Local
  • Music
  • Music Reviews
  • Perspectives
  • Politics
  • Science
  • The F Word : Feminist Perspectives
  • TV Reviews
  • Uncategorized
  • Words You Don't Know

Recent Posts

  • A Survivor’s Heart and Mind
  • Beware of The Red Zone: How Returning to Campus Makes Students More Vulnerable
  • Netflix’s Shadow and Bone: Binge-able Fantasy TV At Its Finest
  • May in Music : Bops and Flops
  • April in Music : Bops and Flops

Copyright © 2022 · Magazine Pro on Genesis Framework · WordPress · Log in